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Hi, my name is Gerald
Fierst.
When I was a little
boy, my friend Michael Silverstein and I would ride our bikes around the
block as fast as we could; then, careening down our driveway, we would
jump from our bikes, press our backs to the garage door, and begin to
tell stories about the monster who was chasing us. Coming closer and closer,
sometimes big enough to shake the world, sometimes long and slimy and
breathing fire, the monster would approach, and we would describe the
beast, smelling its breath, hearing its roar.
I have been a storyteller
since my earliest memory. When I went away to summer camp, I would tell
stories to my bunk mates as we fell asleep. As I grew up, I went to Yale
College where I became the chairman of the Yale Dramat. I began to understand
that plays and storytelling are cousins. After college, I began to work
as an actor. Actors are trained to imagine as if the world of the play
is real. As an actor, I worked in schools teaching children creative dramatics.
I began to understand how we make stories when we playact. I helped to
start a very successful regional theater, The Whole Theater in Montclair,
New Jersey. Then, one day, when my son was in second grade, his teacher
Lora Cooper said to me, "You are really a storyteller. You ought
to find out about storytelling." She told me to go to Tennessee where
the National Association for the Perpetuation and Preservation of Storytelling
had an annual conference. My wife and son and I went down there and found
out that from the beginning of time, there have been storytellers who
have told sacred tales, folktales, personal tales, and tales they had
made up. I had been doing as a friend, as a father, and as an actor, what
people had done forever and ever.
I started to call
myself a storyteller. I told Jewish stories out of my own tradition, world
folklore and stories I wrote. I became artistic director of the Jewish
Storytelling Center at the 92nd Street Y in New York City. I worked at
schools all over the United States and even in England. I worked at museums,
theaters, and conferences with people of all ages. I became a very good
storyteller by telling and telling and telling.
I was invited to many
festivals, including the National Storytelling Festival in Jonesboro,
Tennessee, which is the most famous storytelling festival in the United
States. My tapes and CDs won awards, including two Parents Choice Silver
Honors.
Currently, I am working
with two storytellers, Nancy Donoval from Chicago and David Novak from
San Diego. We are the National Yakkers Theater Ensemble and we perform
a show called "Someone in the Room," which combines personal stories and
traditional stories to tell the bigger story of how stories connect us
all to each other. The nicest thing about storytelling is that I plan
to tell stories until I am very, very old. So I am looking forward to
a lifetime of fun.
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